• 失落的部族
    失落的部族

    主演:Ryan Alosio Marc Bacher Maxine Bahns Brianna Brown 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  一群好朋友坐船出游,在遭遇了撞船事故后,他们被困在一个不知名的小岛上。在那里,他们遇到了一个原始的部落。

    状态:HD

    热度:1°C

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  • 延迟
    延迟

    主演:Roxana Blanco Carlos Vallarino Oscar Pernas Cecilia Baranda Thiago Segovia Facundo Segovia 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  

    状态:HD

    热度:0°C

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  • 萨尔瓦多
    萨尔瓦多

    主演:詹姆斯·伍兹 詹姆斯·贝鲁什 迈克尔·墨菲 约翰·萨维奇 艾尔皮迪娅·卡里洛 托尼·普拉纳 Colby Chester 辛西娅·吉布 Will MacMillan Valerie Wildman José Carlos Ruiz Jorge Luke 胡安·费尔南德斯 Salvador Sánchez Rosario Zú?iga 约翰·多伊 罗伯特·索萨 Ty 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  理查德(詹姆斯·伍兹 James Woods 饰)是一位职业摄影师,每日,他穿梭于世界各地,寻找能够为他带来经济效益的摄影题材。在行业里浸淫已久的他明白,那些美好的,善良的事物无法吸引人们的注意,唯有暴力、恐怖和灾难能够为他带来机遇。  就这样,理查德和朋友们来到了烽火连天的萨尔瓦多,让理查德没有想到的是,展现在他眼前的,竟然完全是一副人间地狱的惨象。纵使是阅历丰富的理查德,也无法忍受这里发生的点点滴滴,心灰意冷的他决定离开。就在这个节骨眼上,一位名叫玛利亚(艾尔皮迪娅·卡里洛 Elpidia Carrillo 饰)的美丽女子出现在了理查德的生命力,在爱情和事业之间,理查德会做出怎样的选择?

    状态:HD

    热度:0°C

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  • 旅行
    旅行

    主演:马克·伯曼 安吉拉·科雷亚 多米妮克·桑达 Walter Quiroz Soledad Alfaro Ricardo Bartis Christina Becerra Chiquinho Brand?o Franklin Caicedo Carlos Carella Liliana Flores Juana Hidalgo Justo Martínez Kiko Mendive Francisco 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  十七岁的马丁(Walter Quiroz 饰)在家乡火地岛上日日过着乏味的生活,他对陈腐破败的学校毫无兴趣,和继父的关系又紧张,唯一给他希望的,是亲生父亲创作给他的连环画,画中记录着拉美大陆种种神奇的景象。马丁的女友意外怀孕,但迫于家长压力要打掉孩子并与马丁分手,愤怒的马丁丧失了留在家乡的最后理由,他收拾行装,踏上拉美大陆,开始了北上寻找生父游历美洲的旅程。马丁见识了洪水中的布宜诺斯艾利斯,经过了蛮荒的安第斯山脉……一路上,一个未知是幻觉还是真实的红衣姑娘多次现身,令马丁的神奇之旅愈发空灵。马丁沿路搜集生父的消息,同时也越来越深入到拉丁美洲大陆的幻想与现实中去。

    状态:HD

    热度:0°C

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  • 铁路的白蔷薇
    铁路的白蔷薇

    主演:Séverin-Mars Ivy Close Gabriel de Gravone 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  这是史诗片巨匠冈斯的早期作品,原版长达九个小时。  影片讲述一个类似现在电视肥皂剧的故事:铁路工程师从一次车祸中救回一个女孩,把她当作女儿来领养。不料他自己和儿子都对女孩产生好感。为了不让儿子占有她,遂把女孩嫁给了一个富人。但儿子和养女之间有着压制不住的爱情。儿子跟她丈夫发生争执,不幸死亡。老人把儿子的死归咎于养女,不愿再见到她。后来他眼睛瞎了,养女偷偷回来照料他,直至为他送终。  影片的革命性表现在如下方面:开场的火车事故蒙太奇采用快速剪辑,极具震撼力;平庸的剧情中增加了大量文学典故,丰富了内涵;摄影和剪辑均具有一定的形式感,如镜头的节奏跟音乐相吻合,画面中的机器被用作现代化的象征等,开启了“纯电影”的先河。片名指命运的轮回、欲望的轮回,由车轮形象来暗示。

    状态:HD

    热度:0°C

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  • 欧洲的某个地方
    欧洲的某个地方

    主演:Artúr Somlay Miklós Gábor Zsuzsa Bánki 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

    状态:DVD

    热度:0°C

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  • 卡诺亚罪犯
    卡诺亚罪犯

    主演:Arturo Alegro Julio Alejandro 塞尔希奥·卡尔德龙 Carlos Chávez Rodrigo Cruz 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  一个小组学生乘公共汽车去一个小镇, 为了完成专业实践。 所有人都是朋友, 并且他们决定唱一些现代歌曲, 使其它乘客设法睡觉。 乘客的当中一个生气和呼喊"中止了他们。 但当他们到达镇子, 知道事件以后, 大家对待他们好象罪犯一样。

    状态:HD

    热度:0°C

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  • 不道德的审判
    不道德的审判

    主演:西格妮·韦弗 本·金斯利 斯图亚特·维尔森 Krystia Mova Jonathan Vega Rodolphe Vega Gilberto Cortés Jorge Cruz Carlos Moreno Eduardo Valenzuela Sergio Ortega Alvarado 凯伦·斯特拉斯曼 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  波利娜(西格妮·韦弗 Sigourney Weaver饰)曾经被一个男子施暴,被蒙着眼的她一直不知道罪人是谁,她的性格也变得神经兮兮。她的丈夫杰拉多(斯图尔特·威尔逊 Stuart Wilson饰)当选委员会主席后回到家中,就发现波利娜有着一些比平时更怪异的举动。她甚至把前来拜访的邻居米兰达(本·金斯利 Ben Kingsley饰)的车子推落山崖,凭着米兰达车里的磁带“死亡和处女”,以及米兰达的气味和呼吸,波利娜坚信,米兰达就是当时对她施暴的元凶。  她发了疯似的把米兰达绑在房间,要和丈夫一起审判这个罪犯。然而,米兰达分明有着确凿的不在场证据,这令丈夫也难以相信波利娜的认定。这一切是波利娜的幻觉,还是确有其事,这场审判会令真相一一浮出水面。

    状态:HD

    热度:0°C

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  • 如晴天,似雨天
    如晴天,似雨天

    主演:朱利安·夏特金 莉顿·梅斯特 黛博拉·梅辛 欧嘉·梅雷迪斯 韦恩·普雷特洛 乔治娅·希梅内斯·里弗谢 阿尔弗雷多·纳西索 比利·乔·阿姆斯特朗 萨布丽娜·马查多 达茜·福勒 Heather Whaley Sammy Pignalosa Frank Shattuck Tamara Torres Buster Whaley 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  电影《如晴天 似雨天》(Like Sunday, Like Rain)是由Leighton Meester (《绯闻女孩》Queen B)主演的一部文艺片。故事讲述在一个夏天,贫穷女生Eleanor为了生计去给一名12岁的孩子当保姆。Eleanor同时也是一名音乐家,而12岁的 孩子则是音乐神童,相处之下他们在彼此间找到自我....

    状态:HD

    热度:0°C

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  • 美杜莎之筏1980
    美杜莎之筏1980

    主演:Olga Kacijan Vladislava Milosavljevic Boris Komnenic 

    类型:剧情片

    更新时间:2026-03-18

    剧情:  This is a brilliant surrealistic film.  But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.  The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.  Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.  And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.  So, the art falls apart

    状态:HD

    热度:0°C

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